hurlothrumbo, by Heavy Lifting vs Graham Dunning

hurlothrumbo

by Heavy Lifting vs Graham Dunning

supported by

deadshotkeen Insane fun. A bit like if 1980s home computers launched a Bolshevik uprising against more advanced modern equipment. Favorite track: loopAt windowless cylinder of rock.

New Music Jason I recommended this album on my New Music Page:

newmusicjason.wordpress.com/2022/04/01/the-new-music-im-listening-to-as-we-march-into-april-friday-the-1st-2022/ Favorite track: -- more Maggoty bassdrums.

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tape edition
Cassette + Digital Album
Pro-duplicated raspberry red cassettes with printed sleeves and labels.

Includes unlimited streaming of hurlothrumbo via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	guilty "<4 2 2 1 1 1 1>" 02:55	buy track
2.	(a/”bit”/wo0zy) \|+\| nudge VIII 03:18	buy track
3.	loopAt windowless cylinder of rock 02:07	buy track
4.	aonce (gnarled claws) $ s “hoof hoof” 01:25	buy track
5.	a <$> more +up [ 3 ~ 1 -5] donk:4 04:02	buy track
6.	hurry (hurry) $ absorb a stone fence FAST # eso 03:59	buy track
7.	-- more Maggoty bassdrums 03:37	buy track
8.	$ splice (muck [1 ~ 2?] <aout [< 02:57	buy track
9.	or stirr'd “<Hand Foot>” 03:48	buy track
10.	P.[GETAE.*2] PROP 04:45	buy track
11.	compleat arit4metickal *0.3 engine 01:52	buy track
12.	choose (Eagle's sh_dow) 06:05	buy track
13.	jux (old) builDings # gain 0.5 04:07	buy track
14.	("<1>") 02:23	buy track
15.	off (1/3/60) super-first ravelins [\|+\| n 1) 01:08	buy track

about

Improvised, sample-based, live-coded music and noise made using TidalCycles [ tidalcycles.org ] and Troop [ github.com/Qirky/Troop ].

This collaboration began in 2019 with an invitation from Alex Mclean to perform at Algorave Elephant at Corsica Studios. Our second gig takes place on the release date of this album at the same venue for the "10 Years of Algorave" event. These recordings are edits from our rehearsals for those two gigs.

We selected a small number of samples each to use in each set of rehearsals. When we play, we begin with a blank screen and each create patterns, rhythms and melodies using the text-based sample sequencer TidalCycles. Later, we edit, ammend and disrupt each other's code. Layers of complexity become whirling fractals of sound -The sections flow together and we often lose track of where and how the noises are being made. Each track here is a single edit with a start point and endpoint - with no restructuring, overdubs or additional editing.

To follow the album, an edition of collages will be accompanied by recordings from both gigs.

credits

released March 31, 2022

license

about

Fractal Meat Cuts London, UK

Processes & experiments in sound & music.
--
Label & radio show run by Graham Dunning

fractalmeat.wordpress.com

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